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I took foam sheets, cut them into shapes, painted them, and stamped them onto cardstock paper. Next, I scanned the paper into the computer and used Photoshop to separate the individual letters. Each letter was then used to design and modify various compositions.
In this method, I collaged and altered several pieces of images in Photoshop and then printed each image separately on paper. The images were then carefully hand-cut arranged between sheets of glass and relocated to a well-lit area. I then took overhead photographs to capture their natural shadows.
I utilized the cyanotype photographic printing process. I arranged objects, cut the paper, and added printed icons on transparent paper. This paper was coated with light-sensitive cyanotype emulsion, exposed to sunlight, dried, and scanned. The scanned image was further edited in Photoshop.
I printed text on paper, positioned the letters on a scanner and while scanning, intentionally moved the paper to create a glitchy distortion. After scanning, I used Photoshop to extract and arrange the text, resulting in a composition.
I cut out various shapes from translucent vellum sheets of paper, arranged them into a composition, and scanned the result. This process of printing, scanning, and reintroducing them to the computer added a physical texture and genuine transparency.
In this approach, I created several digital graphics and printed them. I placed different drinking glasses over each print, causing unique distortions based on the glass’s physical traits, and then photographed the effect. You can achieve a similar effect by holding a drinking glass over a computer screen. Finally, I used Photoshop to make the finishing touches on the photographs.